“I believe artists must make space for pleasure in painting, both in the act of painting and in the pleasure of viewing it.”

-Lauren Whearty

In her first solo exhibition with Gross McCleaf Gallery, titled Painter’s Table, Lauren Whearty celebrates cheerful color and playful patterns in a contemporary take on the artistic tradition of still life painting. With a keen eye for possibilities within this genre, Whearty embraces a feminist perspective, using everyday objects as building blocks to create her own distinctive universe. Each item she incorporates becomes a referential exploration of art history and the process of image creation, adding depth and meaning to her work.

Long before recorded history, humans identified divinity in the natural world. Across the globe, cave paintings and petroglyphs represent the land, the animals and the supernatural. Prehistoric burial mounds and henges of Northern Europe align with equinoxes and solstices. At Newgrange in Ireland, decorated stone carvings record the phases of the moon and depict rays emerging over the horizon at sunrise. Contemporary viewers can only infer the exact meanings of these monumental relics, etched with waves, spirals and diamonds juxtaposed with recognizable imagery.

As contemporary innovation, architecture, technology and design increasingly position each person as the master of their own exclusive universe, the artists in Concerning The Spiritual In Landscape have humbly venerated the life-giving light, ever-present matter and perpetual cycles of nature that bring forth all things.

“I have a longing for a certain beauty that’s hard to describe, but it’s usually associated with summer colors. My desire for this summertime feeling seems inexhaustible, and though I’ve been trying for many years, I don’t feel like I am ever really satisfied.”

- Kurt Moyer

For over a decade, Kurt Moyer’s work has combined his love of nature with his reverence for art history. Born in Southeastern Pennsylvania, Moyer spent much of his youth exploring the Barnes Collection in Merion, Pennsylvania. Moyer now resides in rural New York near Rochester where he spends his time plein air painting from the beginning of spring until late fall. These passions converge in Moyer’s new abstract paintings on view at Gross McCleaf... 

Welcome Bethann Parker!

"Guided by intuition and curiosity, Parker utilizes ruggedly tactile paint to build up layers that depict her conscious and unconscious memories." - excerpt from Almanac, Parker's first solo exhibition with Gross McCleaf Gallery

Bethann Parker (b. 1984) runs a homestead in the mountains of northeast Appalachia that is rooted in traditional living. There, she tends a studio practice with interdisciplinary research and material experimentation provided by the land. Parker considers herself a midwife to the myriad forms and formats of her art.

She received a BFA and Certificate of Fine Art from the Pennsylvania Academy of Fine Arts and a Certificate from the Barnes Foundation. She was the recipient of The Fred and Naomi Hazel Art Scholarship, The Richard Von. Hess Travel Scholarship and twice awarded Venture Fund Grant for large project proposals. Her work has been featured in the New York Times and the Voice of America. 

“I love to paint in the presence of a sitter or in the light of a cityscape, but I can’t “capture” the appearance; rather, I move the paint around, simplify, blur, scrape, and rephrase until the beloved seems to appear…. The vocation of art begins in a longing that only the art can address. At first, the longing attaches to something in the world. But, over time, the artist notices something about how picturing itself causes almost anything seen to open as an occasion for wonder and surprise.”

- Scott Noel

In his eleventh solo exhibition at Gross McCleaf, Scott Noel presents an impressive selection of monumental, narrative paintings...