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GMG Presents: Morris Blackman: SAVE FOR FUTURE USE + Ed Bing Lee: The World on a String

GMG Presents: Morris Blackman: SAVE FOR FUTURE USE + Ed Bing Lee: The World on a String

July 2022

Gross McCleaf Gallery is pleased to host the first major retrospective of Philadelphia-native Morris Blackman. SAVE FOR FUTURE USE features two galleries filled with sculptures, paintings, drawings, and more from Blackman’s prolific practice through three distinct periods of formal investigation.

Drawings and a small, painted self-portrait are among the earliest pieces in the exhibit and attest to Blackman’s draftsmanship and artistic training. His softly contoured graphite drawings depict various casts and statues that Blackman studied during his arts training. His self-portrait presents a young man in front of a field of bright yellow paint. His face in shadow, a critical gaze reveals the discerning and determined personality of Blackman as a young artist.

GMG Presents: Irene Mamiye: Fresh Kills + Rita Bernstein: Touched

GMG Presents: Irene Mamiye: Fresh Kills + Rita Bernstein: Touched

June 2022

“Much of my practice focuses on the vast wave of images that collectively circulate online. By the nature of ‘showing and sharing’ visual culture, images become orphaned from their intent and authorship, and distinctions between originals and copies are lost.”

-Irene Mamiye

In Fresh Kills, Irene Mamiye addresses the unique philosophical implications of social media, technology, and the ubiquity of digital imagery. Mamiye playfully considers Roland Barthes’ philosophy in The Death of the Author by creating original works from freely available, often mass-distributed, visuals. The reanimation of this imagery marks a new stage in the lifecycle of an image, acting as the beautiful and vivacious, post-modern constructions of un-dead authors. This three-fold exhibition features digital collages, CNC-milled Plexiglas sculptures, and video shorts.

GMG Presents: Val Rossman: Unexpected Interference, Penelope Harris: Fully Assembled + Residential Tourist

GMG Presents: Val Rossman: Unexpected Interference, Penelope Harris: Fully Assembled + Residential Tourist

May 2022

Spontaneous bursts of gestural expression meet carefully planned and executed drafting in Val Rossman’s new body of abstract works. Unexpected Interference features two varieties of exploration from Rossman’s multi-faceted painting practice of layered geometric compositions and energetically marked, achromatic configurations. Each variation of Rossman’s approach combines elements of chance and moments of orchestration, both of which are fundamental to her pursuits. Rossman finds her works to be analogous to life’s common challenges, and it is in the tension created by these opposing strategies where Rossman’s work flourishes and meaning is found...

Maureen Drdak featured in The Burning Worlds Newsletter

Maureen Drdak featured in The Burning Worlds Newsletter

with Amy Brady

April 2022

Amy Brady: Please tell me about your latest series, Ardens Mundi. What does that title stand for, and how does the exhibition speak to the climate crisis?

Maureen Drdak: Ardens Mundi is Latin for Burning Worlds. The series presents the many faces of global warming as it manifests across the planet, with each work presenting a distinct cataclysmic phenomenon. The title also refers to the transmutational power of burning in the spiritual sense, in that humanity has agency—humanity can choose to purify itself from its worst addictions. The series is reflective of my long study and work in the Himalayan country of Nepal, a country and region where the conversation between spirit and matter is of long and particular intensity—and of special relevance to our rapidly heating planet.  

GMG Presents: Michael Gallagher: INFINITION, Mickayel Thurin: Awakening + Short & Sweet II

GMG Presents: Michael Gallagher: INFINITION, Mickayel Thurin: Awakening + Short & Sweet II

“…the idea that a shape/form can occupy multiple spatial conditions and potential readings keeps me engaged in both making and looking… a Duck/Rabbit thing, rooted in the complexities and pleasure of perception.”

-Michael Gallagher

Gross McCleaf Gallery is pleased to present, INFINITION, a solo exhibition of bold and colorful abstractions by Michael Gallagher. 

Enigmatic, delightfully playful and bold, Gallagher’s new works at first appear as accomplished abstractions that reference modernist forms. Painted biomorphic shapes swirl around the surface, producing a centrifugal force generated from the center of the painting outward. Texture and varied paint application break the solidity of flat planes of color creating implied space in the composition. The shapes then alternately poke into those spaces and push out, shifting the relationship between what is considered the figure and what is the ground. 

GMG Presents: Thomas Paul Raggio: In the Valley, Benjamin Passione: Improvisations + Scott Noel: Portraits

GMG Presents: Thomas Paul Raggio: In the Valley, Benjamin Passione: Improvisations + Scott Noel: Portraits

March 2022

“I think everything is in there: events, people I know, stories, architecture, music…I’m a big believer in coincidence, synchronicity, and numerology: it’s all about how things get funneled and filtered into a linear, transcendent expression.”

-Thomas Paul Raggio

Gross McCleaf is pleased to exhibit a new body of hard-edged abstractions by Thomas Paul Raggio in his first solo show with the gallery. This exhibition, titled In the Valley, features Raggio’s signature combination of carefully organized lines and stripes, meticulously painted in acrylic. While non-objective, the painted bars create harmonious color vibrations that ripple across each canvas. Crisscrossing diagonals offer geometry, movement, and balance... 

GMG Presents: Kurt Moyer: New Abstractions, Jeffrey Reed: Returning + Heart & Soul

GMG Presents: Kurt Moyer: New Abstractions, Jeffrey Reed: Returning + Heart & Soul

February 2022

I have a longing for a certain beauty that’s hard to describe, but it’s usually associated with summer colors. My desire for this summertime feeling seems inexhaustible, and though I’ve been trying for many years, I don’t feel like I am ever really satisfied.”

- Kurt Moyer

For over a decade, Kurt Moyer’s work has combined his love of nature with his reverence for art history. Born in Southeastern Pennsylvania, Moyer spent much of his youth exploring the Barnes Collection in Merion, Pennsylvania. Moyer now resides in rural New York near Rochester where he spends his time plein air painting from the beginning of spring until late fall. These passions converge in Moyer’s new abstract paintings on view at Gross McCleaf... 

Ross Art Museum presents contrasting exhibits exploring oppression and joy, Featuring James Stewart

Ross Art Museum presents contrasting exhibits exploring oppression and joy, Featuring James Stewart

by Nancy Gilson

January 2022

In “Deaf Republic,” allegoric poems that rail against violence and military oppression, Ilya Kaminsky created a young deaf martyr and a community that protested with sign language.

The collection of poems, published in 2019, is a story that is meaningful not just for the Eastern European country that Kaminsky envisioned, but also for any oppressed place.

The American figurative painter James Stewart, who lives in western Pennsylvania, envisioned “Deaf Republic” taking place in Weimar, Germany, and created a body of paintings to reflect and illustrate the poems...

Seeing a Lifetime of Art in One Painting at Woodmere Art Museum Show that Celebrates the Dean of Philadelphia Artists

Seeing a Lifetime of Art in One Painting at Woodmere Art Museum Show that Celebrates the Dean of Philadelphia Artists

by Stephan Salisbury

January 2022

The Woodmere Art Museum is the last of three Philadelphia institutions — two colleges and the museum — to participate in “Body Language: The Art of Larry Day,” a large retrospective of the painter’s work marking the centenary year of his birth, 2021.

Shows of Day’s paintings and drawings have already ended at Arcadia University and the University of the Arts, and while a gallery show of 20 Day works is still up at the Gross McCleaf Gallery on South 16th Street. It closes Jan. 29.

Day lived virtually his entire life in Philadelphia — painting and also teaching here, first at the Philadelphia Museum School of Industrial Art, now the University of the Arts, and then at the University of Pennsylvania...

Ying Li featured on 30 Artists X 30 Days

Ying Li featured on 30 Artists X 30 Days

by the Beverley Street Studio School

January 2022

I went to see the de Kooning Retrospective at the Whitney Museum in the Fall of 1983, just weeks after I arrived in New York City from China. I had vaguely heard of his name and had never seen his work, even in reproduction.

 

I remember clearly the moment I stepped into the first gallery, where the show started, as I faced this wall filled with huge canvases. I felt like I was hit by lightning and landed on the moon, I was in a different world. There were figures, supposedly female, painted fiercely with thick, juicy paint. 

Larry Day in The Brooklyn Rail: Review of Body Language at Woodmere Art Museum

Larry Day in The Brooklyn Rail: Review of Body Language at Woodmere Art Museum

By Conor Lauesen

December 21 - January 22

Body Language: The Art of Larry Day celebrates the centenary year of Larry Day (1921–98), a visual maestro and brooding intellectual figure in post-war American art. Curated by British art historian David Bindman, the show is at a trio of Philadelphia sites: at Woodmere Art Museum Silent Conversations is comprised of Day’s figurative work, including an overview of works on paper; Absent Presence at Arcadia University shows architectural landscapes on canvas and paper and a selection of prints; and at University of the Arts Rosenwald-Wolf Gallery, Nature Abstracted reveals the artist’s earliest ventures into abstraction. Spanning nearly five decades, the exhibition marks the most comprehensive retrospective to date of Day’s capacious and affective artistic praxis.

GMG Presents: Maureen Drdak: Burning Worlds + Andrea Baldeck: Passages

GMG Presents: Maureen Drdak: Burning Worlds + Andrea Baldeck: Passages

January 2022

Maureen Drdak’s art practice was born out of curiosity, rigorous research, and a love for material and design. Although she has traveled extensively to Israel, Egypt, Tunisia, Italy, England, the Caribbean islands, and India, Nepal has been the focal point of her academic research, made possible in part through a Fulbright Fellowship in 2011. Drdak says, “Nepal has been a tremendous source of spiritual sustenance, wonder, enrichment, and connection…In the past fifteen years, the innumerable relationships I’ve developed have been an indescribable blessing.” On view in Burning Worlds, her wall-bound relief works are a combination of painting and the ancient art of repoussé, a unique metalworking technique she studied during her visits to Nepal.

 

Initially drawn to a photo of the Kali Gandacki river gorge in the Nepali Himalayas, Drdak visited the Kathmandu Valley for the first time in 2005. Upon her arrival, she was immediately and unexpectedly taken with the Newar repoussé that decorated the temples in the area. Dating back to the Bronze Age, the exact roots of the time-intensive repoussé technique is unknown; however, Patan, Nepal has become the contemporary hub of this endangered practice...

Ironic Realism: The Larry Day Retrospective in Philadelphia

Ironic Realism: The Larry Day Retrospective in Philadelphia

By David Carbone

January 2022

Unlike most realists, who celebrate the world’s material presence, Larry Day seems as concerned to capture palpable absence in his work: something unseen, yet powerfully implicit. His mature paintings and drawings expressed his singular ascetic reserve,  a sensibility that managed to juggle American precisionism and pittura metafisica. In such subjects as a quotidian back-alley, a charades party, a poker game there is an awareness that transcends the everyday in suspended moments of painterly reflection.

Day, who died in 1998 in his late seventies, was a doyen of the Philadelphia scene. A great conversationalist with a strong capacity for sustaining friendships, he was a beloved teacher, mentor and friend to more than four decades of artists. A selection of his astute, subtle writings on art is included in the catalogue of this three-venue retrospective of nearly 150 works, guest curated by David Bindman...

GMG Present: Dale Roberts: Activated by Light, Alexandra Tyng: The Architecture of Connection + Larry Day at 100

GMG Present: Dale Roberts: Activated by Light, Alexandra Tyng: The Architecture of Connection + Larry Day at 100

December 1 - 24, 2021

“This present body of work is a deeper exploration into ways of seeing and translating the visible world into a variety of mediums. These paintings celebrate the inherent qualities of each medium, be they metalpoint, gouache, or encaustic. I am moved to return again and again to individual works and themes as possibilities continue to emerge and change throughout the painting process.” 

 

-Dale Roberts

 

Dale Roberts is unflinchingly dedicated to color and texture in his signature encaustic paintings and he consistently brings a lively, experimental approach to the representation of his subject matter. He finds beauty in sources as disparate as a gritty urban landscape, his backyard garden, or a selection of familiar objects - scenes that are common and often overlooked. From flotsam and graffiti to cool, colorful tableaus of his studio workbench, Roberts’ artistic approach fluctuates between representation and abstraction.

American Art Collector: Ann Lofquist "Bringing the Outside In"

American Art Collector: Ann Lofquist "Bringing the Outside In"

Show Preview

October 2021

In 2019, Ann Lofquist returned to her beloved New England after 12 years in Southern California. She had lived in Maine for 20 years and her atmospheric paintings of fields, farms, and streams were uniquely recognizable. The landscape had changed while she was away, however. “I often revisit my favorite vistas and upon returning to New England, I was struck by how much they had changed during my 12-year absence,” she explains. “For the most part, the changes were (from my point of view) for the worse. Favorite trees had been felled, creeks were now choked by invasive knotweed and old dairy farms had been abandoned and the pastures were overgrown.”

Friends invited her to their central Shenandoah Valley cabin to do some plein air painting. “I fell in love with the landscape,” she says. “It is far more open than that in New England, and the sycamore trees with their luminous, white bark dominate the pastures. I returned several times during the fall and winter of 2020-21. During the winter I do my plein air painting from my car (the panel is balanced on the steering wheel and my palette is to my right on the passenger seat.) In order to paint the streams I loved, I had to find unobstructed views from bridges where I could park without disrupting traffic."

Announcing Bethann Parker's First Solo Exhibition at Gross McCleaf Gallery

Announcing Bethann Parker's First Solo Exhibition at Gross McCleaf Gallery

November 2021

Welcome Bethann Parker!

"Guided by intuition and curiosity, Parker utilizes ruggedly tactile paint to build up layers that depict her conscious and unconscious memories." - excerpt from Almanac, Parker's first solo exhibition with Gross McCleaf Gallery

 

Bethann Parker (b. 1984) runs a homestead in the mountains of northeast Appalachia that is rooted in traditional living. There, she tends a studio practice with interdisciplinary research and material experimentation provided by the land. Parker considers herself a midwife to the myriad forms and formats of her art.

She received a BFA and Certificate of Fine Art from the Pennsylvania Academy of Fine Arts and a Certificate from the Barnes Foundation. She was the recipient of The Fred and Naomi Hazel Art Scholarship, The Richard Von. Hess Travel Scholarship and twice awarded Venture Fund Grant for large project proposals. Her work has been featured in the New York Times and the Voice of America. 

GMG Presents: Scott Noel: Current Events, Provisional Painting, Bethann Parker: Almanac + Fellowship Annual Exhibition of FPAFA

GMG Presents: Scott Noel: Current Events, Provisional Painting, Bethann Parker: Almanac + Fellowship Annual Exhibition of FPAFA

November 3 - 27, 2021

“I love to paint in the presence of a sitter or in the light of a cityscape, but I can’t “capture” the appearance; rather, I move the paint around, simplify, blur, scrape, and rephrase until the beloved seems to appear…. The vocation of art begins in a longing that only the art can address. At first, the longing attaches to something in the world. But, over time, the artist notices something about how picturing itself causes almost anything seen to open as an occasion for wonder and surprise.”

- Scott Noel

In his eleventh solo exhibition at Gross McCleaf, Scott Noel presents an impressive selection of monumental, narrative paintings...

GMG presents: Ann Lofquist: A Return Home + Giovanni Casadei: Contemplations

October 6 - 30, 2021

Gross McCleaf is pleased to present A Return Home, the first solo exhibition by painter Ann Lofquist since her recent move back to the East Coast. After twelve years in California, Lofquist again embraces her love of the landscape specific to New England and the Shenandoah Valley. Featuring both small panel paintings and large canvases, this exhibit examines the challenges of landscape painting in the hands of a master. Beginning her exploration with small en plein air paintings, Lofquist finds locations that speak to her and offer a range of opportunities for subject and composition, often inviting multiple visits during different times of day and seasons. The task then becomes one of unconscious data-processing as the artist faithfully attempts to capture observations of light, space, and form.

OnViewAt.com reviews Ying Li: Blossoms In A Sudden Strangeness

OnViewAt.com reviews Ying Li: Blossoms In A Sudden Strangeness

By John Goodrich

September 2021

If Ying Li’s paint application suggests a furious restlessness, her work has been, for many years, no less unsettled in terms of geography. Over the years, the artist’s motifs have included landscapes in France, Spain, Ireland, Italy, and Switzerland, and – on this side of the Atlantic – Newfoundland, Maine, the Colorado Rockies, and upstate New York, as well as New York City.

What to do when a pandemic freezes travel world-wide?

Poetry Reading & Discussion with Ilya Kaminsky on Saturday, September 18 at 5pm

Poetry Reading & Discussion with Ilya Kaminsky on Saturday, September 18 at 5pm

September 2021

Gross McCleaf Gallery and Blue Stoop are pleased to welcome Ilya Kaminsky for a special poetry reading event in conjunction with James Stewart's exhibition: Recent Work - Influenced By Ilya Kaminsky's "Deaf Republic". Following the reading, Philadelphia-based writer Sara Novic will be moderating a discussion with Kaminsky.

This event will run for approximately one hour and is offered both in-person and virtually on Zoom to provide a safe and accessible viewing experience for all. ASL interpretation will be provided along with priority seating upon request. Out of an abundance of caution, in-person attendees are required to present their COVID vaccination card (a copy or digital image will be accepted), and masks are also required for the duration of the event. 

We encourage attendees to visit James Stewart's exhibition before or after the reading. Stewart's work is on view in the gallery from September 1 - October 23 with an opening reception from 2 - 4 pm on September 18. Locally owned bookstore The Head & The Hand will be onsite with copies of Kaminsky's & Novic's work for purchase. 

GMG presents: Ying Li: Blossoms In A Sudden Strangeness II, Elaine Lisle: Autumn + James Stewart: Recent Work - Influenced by Ilya Kaminsky's "Deaf Republic"

GMG presents: Ying Li: Blossoms In A Sudden Strangeness II, Elaine Lisle: Autumn + James Stewart: Recent Work - Influenced by Ilya Kaminsky's "Deaf Republic"

September 1 - 30, 2021

“In early March 2020, Haverford College, like educational institutions throughout the country, closed its campus to visitors and moved classes online in order to mitigate the effects of the Covid-19 pandemic. In the months that followed, Ying Li, the Phlyssa Koshland professor in Fine Arts at Haverford, responded to the crisis with astonishing and prolific creativity. Comprising 47 paintings created in just five months, Blossoms in a Sudden Strangeness reflects a profound aesthetic discipline. Li began each painting through closely observing subjects she discovered in or near her apartment on Haverford’s campus, such as the view from her porch or cherry trees in bloom. Responding to beauty and ephemerality in nature, she abstracts and reworks each composition until her expressive gestures and densely layered surfaces convey the complexity of her observations over time. Reveling in possibility, she adds, spreads, and scrapes away paint, creating relief-like topographies. Amid the ‘sudden strangeness’ of the pandemic, Li was fortunate to safely remain on campus, taking inspiration from flora and fauna that have fascinated her for more than 25 years...

Kati Gegenheimer Featured In Title Magazine

Kati Gegenheimer Featured In Title Magazine

By Michael Marcelle

July 10, 2021

When I think about Kati Gegenheimer’s work, I think about time, and I think about my friends.

I also think about handfuls of glistening jewels, about orchestral swells and technicolor sunsets, about melodrama and rooms of secret treasure, about dayglow candy from another dimension. I think about golden flickering candlelight in a 1950s Disney cartoon burning out of the darkness. I think about the moment between confetti exploding into the air and when it begins to descend, stretched out into infinity. I think about what it means to give someone something beautiful...

Ying Li and Lois Dodd in Two-Person Exhibition in Greenport, NY

Ying Li and Lois Dodd in Two-Person Exhibition in Greenport, NY

Rocks, Trees, and Gardens: Paintings by Lois Dodd and Ying Li will open this Saturday and Sunday, July 10-11 from 1-5 pm, at Rosy End Post, 18 South Street, Greenport, NY.  The exhibition will run for three weekends, through July 24-25.


Lois and Ying long have focused their paintings on the natural world.  Close friends, they occasionally have journeyed together to paint side by side.  During long careers, each artist has developed a style of painting that is uniquely her own, but their styles could hardly be more different.  This show is an opportunity to see the work of two painters who use paint in radically different ways.  

GMG Presents: Kati Gegenheimer: Stars Align, Sterling Shaw: Unreliable Narrator + Ed Bing Lee: Festivity

GMG Presents: Kati Gegenheimer: Stars Align, Sterling Shaw: Unreliable Narrator + Ed Bing Lee: Festivity

July 1 - 31, 2021

“I was here.
You were here. 
I am here. You are here.
Stars aligned.
Stars align.

In her paintings, Kati Gegenheimer uses color, pattern, decoration, and symbolism as ways to express love, ritual, and radical sentimentality. Her sensitivity to touch and brushwork on the canvas as a love letter to being present in a moment; asking us to slow down to see the everyday magic that we often only glance out of the corner of our eye  - a shimmer, a twinkle, a cloud passing in the blue sky, a butterfly hovering to look at you.  Gegenheimer emphasizes this need to be present in the moment.  She writes:

 

Time stopped when you entered the room.
You are here for a reason, at this very moment.
Some would say it is luck, others would say it was meant to be.”

Jeffrey Reed Featured In Painting, An Impromptu Respite

Jeffrey Reed Featured In Painting, An Impromptu Respite

By Maureen Mullarkey

June 18, 2021

Painting is meant to be seen, not talked about. Painters are drawn to things, not concepts or doctrines. What counts is what is in front of them, the very thing itself—whether an object or a vista—not an idea about the thing. For a painter, the only ideas that count are pictorial ones. Matters of fact are primary. These include the material facts of paint, the cookery of getting it right, manipulation of brushes and color chords—all physical, earth-bound matters. Fairfield Porter was blunt: “An art that finds ideas more real than things is attractive to the unemployed intellectual.”

The Vindicator: Mason Takes Art Fans Out To The Ballgame

The Vindicator: Mason Takes Art Fans Out To The Ballgame

By Andy Gray

June 10, 2021

Max Mason considers himself a landscape painter — it’s just that many of those landscapes feature immaculately cut grass and bases arranged in a diamond shape 90 feet apart.

The Philadelphia-area artist will display some of his baseball-themed work in the exhibition “Making the Game,” which opens Sunday at the Butler Institute of American Art.

Max Mason: Painting the Game Opens June 13 at The Butler Institute of American Art

Max Mason: Painting the Game Opens June 13 at The Butler Institute of American Art

June 13 - September 5, 2021

Youngstown, OH, May 18, 2021 – The Butler Institute of American Art at 524 Wick Avenue in Youngstown, Ohio is delighted to announce the opening of an exhibition of baseball paintings just in time for summer. Max Mason: Painting the Game will open Sunday, June 13, 2021 at 12:00pm in the museum’s Giffuni Gallery on the second floor, where the artist will present a gallery talk at 2:00pm. The exhibition will be on view through September 5, 2021. Admission to The Butler and Max Mason’s gallery talk are free. 

The paintings of Max Mason are impressive on a variety of levels. He is a masterful draughtsman who can lay down paint in the manner of the old masters. Staying with the magical theme of baseball he presents a virtual clinic on composition and color usage. In a museum filled with exquisite paintings, the works of Max Mason more than hold their own. The Butler is delighted to present this outstanding exhibition of the work of Max Mason.

GMG Presents: Rebekah Callaghan: Daytime, Claire Kincade: Changing Spaces, + Pet Show, a group exhibition

GMG Presents: Rebekah Callaghan: Daytime, Claire Kincade: Changing Spaces, + Pet Show, a group exhibition

June 2 - 26, 2021

Gross McCleaf Gallery is pleased to announce two solo exhibitions of new paintings by gallery artists, Rebekah Callaghan and Claire Kincade, and Pet Show, a group exhibition featuring the work of Joan Becker, Su A Chae, Eileen Goodman, Morgan Hobbs, Katie Hubbell, Darla Jackson, Christina Leone, Joseph Lozano, Douglas Martenson, Scott Noel, Bethann Parker, Frank Trefny, and Ted Walsh.

Rebekah Callaghan met the unique challenges of this past year by turning inward, moving away from observation and focusing more on her process and feelings.  Callaghan scaled up the plant-based imagery.  She played with color and pattern to fit the mood of the painting rather than limiting herself to a faithful adherence to the original source. . .

American Art Collector: Marine Art - Collector's Focus

American Art Collector: Marine Art - Collector's Focus

June 2021

Gross McCleaf Gallery in Philadelphia represents noteworthy marine artists such as Douglas Martenson. “The coast of Maine is a natural wonder,” says Martenson. “The rocks along the shore are weather-beaten, wounded but enduring. I love the tides and where I go each summer, they vary by 9 feet. At high tide, only the sun-bleached caps of the boulders are visible. As the water recedes, the entire boulder appears, as if a large whale has emerged from the watery depths.

 

“The ocean is mesmerizing,” Martenson says, “and there is something that draws us to the shore; the waves crashing and the smell of the salt air. Collecting these paintings allows one to bring some of these sensations home.

American Art Collector: Claire Kincade "Sharing Space"

American Art Collector: Claire Kincade "Sharing Space"

June 2021

Claire Kincade invites us to share in the experience of the objects she surrounds herself with and that she arranges in her still life paintings.

Light pours through living room windows, emphasizing the form of objects while they express themselves more quietly in the subdued light of a basement. The arrangement of objects in unexpected locations and lighting conditions causes the viewer not only to appreciate the whole but to slowly contemplate them as individual objects and how they relate to the space they occupy.

 

GMG Presents: Natasha Das: Thread, Max Mason: Sky Light, + Short & Sweet, a collection of mini exhibitions

GMG Presents: Natasha Das: Thread, Max Mason: Sky Light, + Short & Sweet, a collection of mini exhibitions

May 5 - 29, 2021

Gross McCleaf Gallery is pleased to announce two solo exhibitions of new paintings by gallery artists, Natasha Das and Max Mason and a collection of mini exhibitions, featuring the work of Giovanni Casadei, Rhea Cutillo, Ying Li, Scott Noel, Thomas Paquette, Jeffrey Reed and Val Rossman.

Textures created with thread are to Natasha Das what brushstrokes are for other artists: fundamental, visceral, expressive elements. Das’ labor-intensive compositions convey her unique voice by representing an engagement with both abstraction and the weaving tradition of her native India, lending an autobiographical component to her work. . .

Rebecca Segall & Gross McCleaf featured in Philadelphia Style

Rebecca Segall & Gross McCleaf featured in Philadelphia Style

By Marni Manko

April 2021

Rebecca Segall is turning over a new artistic leaf as owner of Gross McCleaf Gallery.

Gross McCleaf Gallery has been an esteemed fixture on Philly’s gallery scene for more than 50 years, but with the recent retirement of longtime owner Sharon Ewing and the new ownership under PAFA graduate Rebecca Segall, the contemporary gallery is prepared to take on the next half-century with a refreshed—and decidedly modernday— perspective.

Gross McCleaf Gallery on ABC Action News: 6abc Loves the Arts

Gross McCleaf Gallery on ABC Action News: 6abc Loves the Arts

By Wendy Daughenbaugh

April 2021

Gross McCleaf gallery was founded in 1969 by Estelle Shane Gross, and the Rittenhouse Square Gallery has celebrated a half-century legacy of female leadership.

"This was really at the beginning of what would become a rich gallery scene in Philadelphia," says gallery owner and director, Rebecca Segall, who adds that Gross started with the idea of a New York City-style gallery, but then began supporting local artists. . .

GMG Presents: Christine Lafuente: The View From here, Joseph Lozano: Mythologies, + A Group Show: Bouquet

GMG Presents: Christine Lafuente: The View From here, Joseph Lozano: Mythologies, + A Group Show: Bouquet

April 1 - 30, 2021

Gross McCleaf Gallery is pleased to announce two solo exhibitions of new paintings by gallery artists, Christine Lafuente and Joseph Lozano and a group exhibition featuring the work of Melanie Fischer, Kati Gegenheimer, Eileen Goodman, Elizabeth Hamilton, Ying Li, Jonathan Mandell, Irene Mamiye, Lynn Muchnick, Scott Noel, Barbara Sosson, and Frank Trefny.

Christine Lafuente is a graduate of Bryn Mawr College and received her Certificate in Painting from the Pennsylvania Academy of the Fine Arts. After spending years in Philadelphia where she was artist-in-residence at the Fleisher Art Memorial, Lafuente moved to Brooklyn and completed her MFA at Brooklyn College in 2004.  She has exhibited her work throughout the Mid-Atlantic region in numerous solo shows and had a solo exhibition in London, England in 2008.  Lafuente has been represented by the Gross McCleaf Gallery since 2002. . .

American Art Collector: Christine Lafuente "Points Of View"

American Art Collector: Christine Lafuente "Points Of View"

April 2021

When Christine Lafuente set out to paint her latest series of works in Puerto Rico in March 2020, she never fathomed what would transpire over the next few months. The trip was planned a year prior after having visited the country for a workshop and finding that the cities reminded her of her late father’s home country of Cuba, which he left to go to university in the United States and was unable to return.

Lafuente had planned to explore San Juan, learning more about the people, the architecture and the culture, in hopes of making a deeper connection to a similar ancestry as her own. Soon after she arrived for what was supposed to be a shorter trip, Lafuente was locked down in the country and stayed for several months because of the pandemic. Her work, which she had hoped would reflect the vibrancy and beauty of the city at a more intimate level, shifted to views from the windows of the terrace apartment she rented. The work created was more internal but still filled with the bold architecture and bright sunlight.

Art Watch Radio Podcast with Rebecca Segall

Art Watch Radio Podcast with Rebecca Segall

March 4, 2021

Amie Potsic interviews Rebecca Segall about her acquisition of the Gross McCleaf Gallery, her artistic connections to PAFA, and her perspective on stewarding the gallery into the future.

Gross McCleaf Featured On NBC10: In The Name Of Love

Gross McCleaf Featured On NBC10: In The Name Of Love

Supporting Small Business Throughout the Philadelphia Area

March 2021

Owner and Director, Rebecca Segall, interviews with NBC10 to promote Women's history month with Gross McCleaf, a woman-owned business.

GMG Presents: Douglas Martenson: Outside Looking In + A Group Show: Inside Looking Out

GMG Presents: Douglas Martenson: Outside Looking In + A Group Show: Inside Looking Out

March 3 - 27, 2021

Gross McCleaf Gallery is pleased to announce a solo exhibition of new paintings by gallery artist, Douglas Martenson and a group exhibition featuring the work of Brian Boutwell, Betsy Eby, Deirdre Murphy, Celia Reisman, Rebecca Segall, Sterling Shaw, Michayel Thurin, Alexandra Tyng, and Leigh Werrell, curated by Douglas Martenson.

Douglas Martenson paints observationally in various locations in Maine and Pennsylvania. He meticulously documents the light, atmosphere and environment of each view through a variety of painting techniques. While the painted objects appear with local color firmly established, a sensitive eye will begin to perceive deep reds, light purples, golds, chromatic grays and a spectrum of ever-present blues. Martenson’s careful handling of paint opens up worlds within each object, giving way to a conceptual interpretation over time.

We See Them at Night by Nicole Parker

Art Live: Inspired by Nature, featuring Martha Armstrong and Nicole Parker, by Constance McBride

February 2021

Gross McCleaf Gallery is showing works by Maryland-based Nicole Parker in her first solo exhibition in Philadelphia. Titled “Thresholds”, her paintings are portals that allow a viewer to travel through conceptual thresholds into surrogate realities. “I love human spaces like houses, buildings and public transport, and am interested in the ‘footprints’ and evidence of ourselves that we always manage to leave.  Every place and object is a story or an artifact.” Also on view in February is “Trees, Seas and Objects” a major solo exhibition of new paintings by Martha Armstrong. In addition to landscapes, the current exhibition will feature a selection of still-life paintings, subject matter which Armstrong has long-explored but rarely displayed.

GMG presents: Martha Armstrong: Trees, Seas and Objects & Nicole Parker: Thresholds

GMG presents: Martha Armstrong: Trees, Seas and Objects & Nicole Parker: Thresholds

February 3 - 27, 2021

Gross McCleaf Gallery is pleased to announce a major solo exhibition of new paintings by gallery artist, Martha Armstrong and Nicole Parker's first solo exhibition in Philadelphia.


Armstrong’s muscular shapes and energetic compositions are hers alone to claim – a style that she’s developed and faithfully preserved over many decades. Her work harkens back to early American Modernists like Marsden Hartley and Arthur Dove and contemporary artists like Lois Dodd and Richard Diebenkorn. One can also see the influence of European movements such as Cubism and Fauvism.

Nicole Parker’s oil paintings depict images that are on the verge of dreaming and wakefulness. The pictures are recognizable yet tend to drift into the uncanny valley – where what one sees looks to be natural and realistic but then morphs into a phantasmagoria of enigmatic imagery. Parker’s worlds contain houses, rooms, and vehicles that allude to a world made for humans, yet there are no people to be found. Rather, these spaces subtly summon the viewer to become the lone inhabitant of each scene.

Leadership News from Gross McCleaf Gallery

Leadership News from Gross McCleaf Gallery

Join us in welcoming Morgan Hobbs as the new assistant director of Gross McCleaf Gallery.

January 2021

Morgan is a prolific artist, curator, and educator based in Philadelphia, PA. She is a graduate of the Masters of Fine Arts program at the Pennsylvania Academy of the Fine Arts and received her Bachelor of Fine Arts at the University of Central Missouri, where she studied painting and anthropology.

Welcome Center, Dave Walsh, Oil On Canvas

GMG presents: Dave Walsh: This Land & Selected Works

January 6 - 30, 2021

Dave Walsh’s monumentally-scaled landscape paintings depict national landmarks, parks and dams. Working from memory, photographs and found imagery, Walsh includes vast, scenic vistas as well as details found in trail maps, advertisements, sidewalks, parking lots, bathrooms and graphic illustrations of the sites. His work conveys more information than one can take in at once, with aerial views of trails, buildings, and bodies of water, that are layered onto frontal depictions of architecture. Each painting is intuitively organized, ignoring landscape traditions of Western art history, such as linear and atmospheric perspective, and the sublime. Walsh replaces historical landscape conventions with his own experiential understanding of these scenes and spaces from a literal, bodily and chronological perspective. These directorial decisions cause the landscapes to flatten, subverting the conventional hierarchy of space and often de-prioritizing the landmarks themselves. 

Painting Perceptions, Elizabeth Geiger In Studio

Painting Perceptions Elizabeth Geiger

Larry Groff Interview

December 2020

I am very pleased to be able to share this email interview with Elizabeth Geiger and I'm grateful for her generosity to be able to hear about her experience and insights into her process and intense engagement with painting. 

Rebecca Segall In Gross McCleaf Gallery

Exciting News from Gross McCleaf

We’re pleased to announce Rebecca Segall as the new owner and director of Gross McCleaf Gallery!

December 2020

Rebecca will continue to showcase and promote regional, contemporary artists and is committed to the stability and growth of the gallery. She’s excited to support both new and established fine artists of the highest quality and looks forward to connecting with GMG’s longtime base of supportive customers, patrons and art enthusiasts.

Woolyheads 10" x 8" Oil On Canvas

Rebekah Callaghan: Meditations on light and time

March 26, 2019

“I think I’ve been making the same painting for a long time and it just keeps ending in a different place at a different point,” Rebekah Callaghan told painter Aubrey Levinthal in a 2015 interview in Title Magazine. The conversation focused on Callaghan’s process of working from her immediate surroundings – her home studio and the garden of potted plants that she tends there. Now, four years later, she continues to cultivate and expand upon this familiar material to make layered, luminous botanical paintings that invite sustained looking. Walking from one deft, concise painting to the next in her current exhibition “Brighter Later,” at Gross McCleaf in Philadelphia, the groupings of new works constitute a coherent series exploring variations of light, color, shape, and texture on a single theme.

Must-sees in Philly galleries right now, including Scott Noel’s exceptional paintings

Must-sees in Philly galleries right now, including Scott Noel’s exceptional paintings

The Academy and the Alcázar, Scott Noel

02/21/19

Scott Noel’s exhibition “The Academy and the Alcázar,” at Gross McCleaf Gallery, is more ambitious than previous shows of his I’ve seen — he’s been given both the front and back galleries — and his paintings have a new lushness.

His compositions of figures are still studied, but they’re more painterly.

Noel’s characteristic filtered natural light makes people and places seem exceptionally still and quiet. I’m reminded of hot, dry air at noon in a city more Mexico City than humid Philadelphia. And that’s still very much intact.

Noel observed paintings by Velásquez at the Prado in Madrid and felt a kinship with the 17th-century Spanish painter, spurring this latest body of work.

Martha Armstrong, Tuscon Sunset, Oil On Canvas

Review: Martha Armstrong’s Nature Scenes at Bowery Gallery

New York Times

September 24 2015

Painting from nature is nearly as old as the hills. For years, Alex Katz was the most prominent keeper of its flame, but other devotees have lately come into clearer view — Mr. Katz’s contemporary, the great Lois Dodd, for one. In addition, younger painters like Maureen Gallace and the even younger Daniel Heidkamp and Aliza Nisenbaum have wholeheartedly or partly followed suit. Painting from various forms of life has become a thing — as they say — in the hipper reaches of the contemporary art world.