White Ranunculus And Snapdragons, I
46" x 38" or 32" x 26"
Archival Pigment Print
Edition of 5
Pomegranate, Orange, And Tangerine Leaves, I
34" x 34" Image On 40" x 40" Paper
Archival Pigment Print
Edition of 5
Pomegranate, Orange, And Tangerine Leaves, II
34" x 34" Image On 40" x 40" Paper
Archival Pigment Print
Edition of 5
Blue Surfshop, Petals, And Red Nailpolish
34" x 34” Image on 40" x 40” Paper
Archival Pigment Print
Edition of 5
Passion Fruit And Kiwi Berries
34" x 34" Image On 40" x 40" Paper
Archival Pigment Print
Edition of 5
Mango, Lettuce, Red Brocade
34" x 34" Image On 40" x 40" Paper
Archival Pigment Print
Edition of 5
Red Still Life With Tatiana's Hand And Blood Oranges
34" x 34" Image On 40" x 40" Paper
Archival Pigment Print
Edition of 5
Walnuts On Brown Velvet
34" x 34" Image On 40" x 40" Paper
Archival Pigment Print
Edition of 5
Brocade, Cabbage, Peonies, And Mango
34" x 34” Image on 40" x 40” Paper
Archival Pigment Print
Edition of 5
Brocade, Cabbage, Peonies, And Mango, Close
34" x 34" Image On 40" x 40" Paper,
Archival Pigment Print
Edition of 5
Red Still Life With Tatiana's Hand And Blood Oranges, Signed Archival Pigment Print, 34" x 34" Image On 40" x 40" Paper, Ed of 5
Lydia Panas is a visual artist working with photography and video. A first-generation American, she was raised between Greece and the United States. Panas’ work looks at identity and what lies below the surface, investigating questions of who we are and what we want to become. Her work is made in the fields, forests, and studio of her family farm in Pennsylvania. The connection she feels to this land is the foundation of her work.
Panas’ work has been exhibited widely in the U.S. and internationally. Her photographs are represented in public and private collections including the Brooklyn Museum, the Bronx Museum, the Museum of Fine Arts Houston, Palm Springs Art Museum, Michener Art Museum, Allentown Art Museum, Museum of Contemporary Photography Chicago, Museum of Photographic Arts San Diego, the Sheldon Museum, Zendai MoMA Shanghai, among others. Her work has appeared in periodicals such as The New Yorker, the New York Times Magazine, The Village Voice, French Photo, Hyperallergic, Photo District News, Popular Photography, San Francisco Chronicle, Rain Taxi Review of Books, Flavorpill, WSJ Blog, GEO Wissen, Die Volkskrant, Haaretz, and the Philadelphia Inquirer.
Last October Dahlias, III, Archival Pigment Print, 46" x 38" or 32" x 26", Ed of 5
Panas has received numerous awards and honors including repeat invitations to the Taylor Wessing Portrait Prize Exhibit, the Top Fifty Winner for Critical Mass, and two nominations for Prix Pictet and PDN 30. She has won First Place Awards at CENTER, London Calling, Conscientious Portfolio Competition, and TPS:16. Panas was a Solo Exhibition Winner at The Print Center, the Joyce Elaine Grant Exhibit, and the GoggleWorks Center for the Arts.
She has garnered numerous Honorable Mentions, Second Prizes, Curator’s Distinctions, and Merit Awards including at the Silver Eye Center for Photography, Houston Center for Photography, Korean Cultural Center, and the Reading Public Museum. Grants include ten Pennsylvania Partners in the Arts Grants, a Special Opportunity Stipend from the Pennsylvania Council on the Arts, a John Anson Kittredge Educational Grant, and a Puffin Foundation Grant. Panas has been an Artist-in-Residence at MASS MOCA, Banff Centre for the Arts, and a Visiting Artist at the American Academy in Rome.
Panas has degrees from Boston College, the School of Visual Arts, and New York University. She is the recipient of a Whitney Museum Independent Study Fellowship and a CFEVA Fellowship. She has published three monographs, The Mark of Abel (Kehrer Verlag 2012), Falling from Grace (Conveyor Arts 2016), and Sleeping Beauty (MW Editions 2021). She divides her time between a farm in Kutztown, Pennsylvania, and New York City.
Red And White Blooms, Archival Pigment Print, 46" x 38" or 32" x 26", Edition of 5
