Faccia 72 (SOLD)
7.75" x 5.75"
Mixed Media On Panel
Faccia 73 (SOLD)
7.75" x 5.75"
Mixed Media On Panel
Faccia 81 (SOLD)
6" x 6"
Mixed Media On Panel
Faccia #2, 19" x 15", Oil On Canvas
"One constant in my work has been the exploration of the unique tensions that the portrait reveals about the self and the assertion of individuality in relation to the quietness of anonymity.
Each work seems to develop its own persona, growing out of elements of the subject and myself no doubt, but also contributions from each viewer."
- Susan Moore, 1953 - 2022
Profile, 12" x 12", Encaustic
Gross McCleaf Gallery is pleased to host an extensive, two-gallery exhibition of portrait paintings by Susan Moore (1953 - 2022). Works from three decades of Moore's prolific practice will be on view, highlighting a career of both focus and experimentation. The portrait was Moore's career-long subject. She painted family, friends, students and movie stars. However, her approach changed dramatically over the years from tightly painted representation to expressively manipulated photographic imagery.
Ron Abram, Professor of Studio Art & Queer Studies, and Rochelle Toner, Professor and Dean Emeritus of Tyler School of Art & Architecture, generously shared their memories of Susan Moore and insights on her work with writer Elizabeth Johnson. The full interview can be read here: viewingroom.grossmccleaf.com/susan-moore-remembered
Ron Abram, Professor of Studio Art & Queer Studies, Denison University in Granville, Ohio, recalls his teacher, colleague, and close friend, Susan Moore:
"Susan was a confident portrait artist with direct goals, an incredibly strong-focused artist, teacher, mother, spouse, sister, and loyal friend to many. She made friends in all walks of life and treated everyone equally. While she did see her work as an expression of herself, she readily emphasized her goal as an artist to be a universal one: to make work that spoke to viewers on an individual level. Susan was a distinct artist: she parted with historical figurative traditions to connect with contemporary abstraction, not striving to illustrate but to provoke the viewer to see and feel core emotions..."
