Self Portrait With Pfizer Band-aid
24.5" x 10.5"
Acrylic, Ink, Glitter And Collaged Bandage On Canvas
"Preoccupation with the sitter's perception of your painting is not helpful during the act of creating. It's better to be focused on the feeling of the thing, the arrangement of shapes, the colors of pigment... the elements."
- Mickayel Thurin
Popcorn Man (Detail), 24" x 12", Mixed Media On Canvas
My portraits capture my immediate family, close friends or myself as the subject... all of whom have been painted many times over, as I prefer to paint those I know well. Part of this is because after you know someone well and they know you, you lose some of the niceties. You are both your more authentic selves and that is when you can really get down to business.
Preoccupation with the sitter's perception of your painting is not helpful during the act of creating. It's better to be focused on the feeling of the thing, the arrangement of shapes, the colors of pigment... the elements. These paintings are my attempt at doing just that. If they end up capturing some of the sitter's essence or personality, it is because of our familiarity and closeness rather than an effort at flattery. In short, these portraits are about the creation process of each painting, not about the models.
This body of work consists mainly of acrylic paint on canvas. However, if a painting calls for it, I do not hesitate to utilize collage, watercolor, ink or other mixed media.
No Pepperoni (Detail), 12" x 9", Mixed Media On Canvas
Mickayel Thurin is a Haitian American artist born in 1987 in Newport News, VA. Her family moved frequently so she grew up in NY, VA and MI. She eventually landed in Philadelphia, PA to attend the Pennsylvania Academy of the Fine Arts (PAFA) where she studied painting.
Thurin’s chief influences have consistently been expressive color, pattern and texture. She is interested in artists such as: Soutine, Bonnard, Alice Neel, Willem de Kooning, Mitzi Melnicoff, Lissy Funk and Jean-Michel Basquiat. The majority of her works tend to be colorful, expressive, abstracted portraiture done with mixed media. They often contain embroidery and collage.
At PAFA, Thurin studied under the likes of Jan Batzell, Bill Scott, Michael Gallagher and others. She also met her now-husband and fellow painter, Benjamin Passione, who also exhibits at Gross McCleaf. The two reside in Philadelphia where they share an art studio and their son, Maurice, who is often featured in Thurin’s paintings.
SP 2020, 20" x 16", Acrylic On Canvas
A.L. With Sweater (Detail)
12.5" x 8.5"
Mixed Media On Canvas
“Live in each season as it passes; breathe the air, drink the drink, taste the fruit, and resign yourself to the influence of the earth.”
– Henry David Thoreau
Gross McCleaf Gallery invites you to experience the magic of summer with a group exhibition titled Summer Playlist. Curated like a finely tuned mixtape, this vibrant selection of works explores seasonal themes of celebration, relaxation, and engagement with nature.
“Painting beautiful people and things in beautiful light, indeed finding almost every moment of perception a candidate for this beauty, I wonder if a certain fidelity to the ever-renewed ripening of an orchard through all its necessary stages of metamorphosis isn’t an analogy for the privilege of painting.”
- Scott Noel, The Apples of Pomona, 2024 catalog
Gross McCleaf Gallery is pleased to present Apples of Pomona, an exhibition of new works by Scott Noel showcasing a vibrant array of new oil paintings and several acrylic and pastel works on rag board. Each painting is alive with Noel’s spirited intention to, “vary and reconfigure painting’s visual eloquence to express the beauty of the world”. While the small to medium-sized paintings range in subject from the nude to still-life and landscape, the exhibition is anchored by three monumental, multi-panel figure compositions that demonstrate Noel’s devotion to layered narratives, sophisticated color mixing and his signature painterly touch.
Women have been the cornerstone of operations and exhibitions at Gross McCleaf since Estelle Shane Gross opened her gallery in 1970 on the second floor of 1713 Walnut Street. Over 50 years later, Gross McCleaf is commemorating its rich history during (re)Focus 2024, a citywide festival celebrating women-identified and BIPOC artists.
Fortitude at 50: A Resilient Five Decades at Gross McCleaf Gallery features Martha Armstrong, Jan Baltzell, Joan Becker, Elizabeth Geiger, Eileen Goodman, Penelope Harris, Heidi Leitzke, Bertha Leonard, Ying Li, Ann Lofquist, Chelsey Luster, Bethann Parker, Nicole Parker, Jane Piper, Kimi Pryor, Mary Putman, Celia Reisman, Val Rossman, Mickayel Thurin, Leigh Werrell, and Lauren Whearty with self-portraits, dreamy narratives and formally complex still-life and landscape paintings. The works suggest a deep reflection of the self and a strong point of view conveyed through their distinct subjects and styles. The exhibition represents women artists in all stages of their careers who have helped shape the Gross McCleaf legacy and brand focus toward what Sharon Ewing, former owner and director, refers to as “painterly realism” – representation in painted form.
Gross McCleaf Artist Mickayel Thurin discusses her studio practice with TK Smith, Assistant Curator: Art of the African Diaspora at the Barnes Foundation in The Scream: Self-Portraiture That Expresses Universal Emotions at GMG. In this video, Thurin discusses her personal biography, developing a distinctive style, meaning in materials and formation of the figure, all the while exploring the almalgamation of emotions.
Click below to listen and watch this insightful dialogue unfold.
Gross McCleaf Gallery is pleased to announce a solo exhibition of new paintings by gallery artist, Douglas Martenson and a group exhibition featuring the work of Brian Boutwell, Betsy Eby, Deirdre Murphy, Celia Reisman, Rebecca Segall, Sterling Shaw, Michayel Thurin, Alexandra Tyng, and Leigh Werrell, curated by Douglas Martenson.
Douglas Martenson paints observationally in various locations in Maine and Pennsylvania. He meticulously documents the light, atmosphere and environment of each view through a variety of painting techniques. While the painted objects appear with local color firmly established, a sensitive eye will begin to perceive deep reds, light purples, golds, chromatic grays and a spectrum of ever-present blues. Martenson’s careful handling of paint opens up worlds within each object, giving way to a conceptual interpretation over time.
