I am a person who walks down the street looking at the brick and mortar, the markings on the wall, the trash on the ground wondering about its story. My practice starts with the world around me; guided by the happenstance moments that you would miss if you blink just once.
- Nasir Young
Gross McCleaf Gallery is pleased to present Stuart Netsky’s rich digital paintings and colorful sculptural assemblages in Walking Backward into the Future. Here, Netsky continues his innovative exploration of materials and themes well known from his seminal 1992 ICA exhibition, Time Flies. This earlier work, created during the height of the HIV/AIDS epidemic, courageously explored the intersections of the HIV/AIDS epidemic with contemporary domestic life, popular culture, and Western art history. During Netsky’s retrospective in 2006, Rosenwald Wolf Gallery Curator Sid Sachs described Netsky as having a practice that, “operates at the nexus of social representation and sculpture, sexual cliché, and self-presentation. Echoing a variety of historical styles such as Pop Art, Pattern and Decoration, and color field, Netsky retains a crisp classical sense of craft and sense of humor that is deadly serious.” His latest work is no exception as Netsky continues with a clear-eyed honesty and queer sensibility.
Spontaneous bursts of gestural expression meet carefully planned and executed drafting in Val Rossman’s new body of abstract works. Unexpected Interference features two varieties of exploration from Rossman’s multi-faceted painting practice of layered geometric compositions and energetically marked, achromatic configurations. Each variation of Rossman’s approach combines elements of chance and moments of orchestration, both of which are fundamental to her pursuits. Rossman finds her works to be analogous to life’s common challenges, and it is in the tension created by these opposing strategies where Rossman’s work flourishes and meaning is found...
